June 4, 2004
Nunavut's rock goddess rolls down new path
Lucie Idlout embraces
musical change, readies for success
GREG YOUNGER-LEWIS
Lucie Idlout, jamming in the kitchen of an Iqaluit friend, plans to release
her new album, High Heels on a Gravel Road in the fall. (PHOTO BY GREG YOUNGER-LEWIS)
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Sitting in her mother's kitchen, Lucie Idlout scarfs down a mouthful of caribou
eyeball with a broad, satisfied smile.
She's not one to back down from something new.
In fact, as Iqaluit's uncontested rock goddess, Idlout makes a good case for
grabbing opportunity with abandon. She's got a new album coming out, and if
it turns out like the early mix she previewed to Nunatsiaq News, Idlout
could find the big break she's looking for.
But that doesn't mean she's forgotten Nunavut. Idlout flew home last month
to relax with family and friends between recording sessions in Toronto, and
do what she can't do in the big city - like snowmobile bare-headed across Frobisher
Bay.
"I'm just trying to keep it all in perspective," Idlout said after
two days of roaring across the ice and tundra. "I'm not a traditional person
who spends a lot of time out on the land. [But] there is a stillness out there
that doesn't exist anywhere else. It reminds you of how small you really are."
Idlout can't be blamed for forcing herself to slow down.
She's been riding a mounting wave of success for years, from winning accolades
at the Aboriginal Achievement Awards as best female artist, to hosting her own
national television talk show on the Aboriginal People's Television Network.
She's also taken her music business into her own hands. Idlout recently fired
her road managers and booking agents, formed a new band, and planned a tour
of Europe that will put her on stage in front of tens of thousands of people.
And that's not all.
Idlout's sassy heavy rock sound has caught the attention of four major music
labels. Despite rejecting a record deal early in her career, Idlout is now juggling
interest from U.S., Canadian and European companies looking to possibly promote
and distribute her next CD.
The album, tentatively named High Heels on a Gravel Road, is to be released
in the fall.
Idlout admits the new album will strike long-time fans as a mainstream departure
from her debut CD, E5-770 - My Mother's Name, known for its unique mix of quirky
chords and snarly, spitting vocals.
On High Heels..., Idlout belts out melodies that stick in the listener's head.
Beneath her singing, she chugs on catchy, loud power chords on her guitar, backed
by musicians who have helped other artists, such as Alannah Myles and the Headstones,
on their way to regular radio play.
Rejecting any suggestion of altering her music to please the music industry,
Idlout said the change in musical direction reflects her newfound ability to
let other musicians give input. And, she doesn't expect any complaints.
"At my shows before, you could probably count the number of people dancing
on one hand," said Idlout, known to bust some moves of her own on stage.
"Now, I think you can expect a lot of people will be dancing.
"I hate to say it, but I think there's more of a pop element to [the new
songs]."
Idlout says Nunavut can take pride in helping her reach her goals. Over the
years, she's received financial support from the government of Nunavut's department
of culture, elders, language and youth.
Nunavut helps in other ways, too. Idlout finds when she feels like quitting,
an e-mail message arrives from the North, and encourages her, "Nunavut's
own," to keep going, which is what she plans to do.
"I think the most important thing to me is staying power," she said.
"I want to be able to write and be putting out albums until the day I die.
"If I'm 70 years old and want to write kids' albums, that's what I want
to be able to do."
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