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Nunani

June 29, 2001

Working at play

RACHEL ATTITUQ QITSUALIK

Anyone who thinks that Inuit childhood was always carefree has never been to a spring camp.

Competition could be fierce. There were many children of different ages living together and trying — perhaps not hard enough — to get along. There were some particularly competitive personalities, but I think friction mostly stemmed from the fact that the kids tended to form strange alliances based upon common ages — those of one age against those of another.

Alliances were also based on the interests of the day, or who was getting along with whom (much like "Survivor"). Competition was permitted, if not exactly encouraged. Inuit are not an especially martial culture, but these were little people in survival training. The games were not only entertainment, but were developing faculties that would later contribute to practical skills.

The very first game of the day, for example, was based around waking up. It was important to get up early, to be alert. The last kid to wake up was yanked outside by his or her hair, naked and groggy, for the others to laugh at. It was cruel, but it sure got you up. Laziness, as an adult hunter, could spell the death of yourself or others.

Many games involved pain endurance. Everyone would line up in a row so that a designated kid could step on our toes. Then we would have our knees stepped on. Then our thighs. Those who cried out were eliminated, so that the victor would get to be the next stepper.

There were many games of stealth. There was harpoon tossing, sling-shooting, and — of course — marksmanship (only possible once we were strong enough to hold a .22, all we were allowed to touch at camp).

Rivalries entered the picture once skills were developed to the point of being considered useful. Children were often compared to one another. X was not considered a good shot, but boy could she run fast. Yesterday, Y caught a large fish — he must be a lucky fisherman. Wait until my boy grows up, and then you’ll see who gets the most young seals. My daughter may not be very pretty, but she sure can sew boots now. Excellence in anything was noted and encouraged.

In my case, I tried to use my siblings and other kids as living lessons. My half-sister, for example, was having difficulty shooting, so I vowed to become the best shot I could. One of my youngest brothers always got dragged out of bed by his hair. I wanted to avoid that. I decided to focus on the things I was best at — especially those skills others were deficient in. I noted that many boys had difficulty with pain endurance. I did not, so I focused upon such games until I could bear the weight upon my calves without flinching.

It wasn’t until much later that I realized others were also using me as the same sort of model, trying not to repeat my mistakes, just as I had done with them.

And it wasn’t until adulthood that I realized such games offered us a chance to develop strong individuality in an otherwise very egalitarian, communal existence. Strangely, even though the experience served to individuate us, we came away from it with a deeper awareness of the group — perhaps because we now knew the strengths and weaknesses of all its members. Our heightened individuality, ironically, forged us into a better community.

Instead of a mass of people, we were taught to be individuals working together.

Everyone has a talent, and there is great joy in contributing it. One might even say this is the whole point of being human. And I think that is why even adults would sometimes jump in to play at our games — not so much to have fun, but to remember how to "work at play."

Baseball, anyone?

Pijariiqpunga.

TOP


June 22, 2001

The unspeakable tradition: part two

RACHEL ATTITUQ QITSUALIK

(Continued from last week.)

I have noticed Inuit elders becoming less reticent about discussing shamanism. Perhaps they feel increasingly alarmed as they see their traditions gradually eroding before their eyes, inspiring a sort of desperation, a hitherto nonexistent willingness to break the code of silence. It is better, some elders seem to feel, to talk about even unpleasant traditions rather than lose them altogether.

If I am right and this is the thinking of the elders, I agree with it. Frankly, I don’t like to see traditional culture misrepresented. I worry about the increasing number of kooks I run into, with their own home-brewed versions of shamanism — always a mish-mash of actual Inuit cosmological beliefs (from different areas), beliefs drawn from First Nations peoples, and the usual smattering of New Age ideas.

In my opinion, such re-invention of shamanism is dangerous. The practices of angakkuit comprise a vital aspect of Inuit folklore, and many of us don’t realize the importance of folklore (or mythology) until we actually lose it. Folklore is like the air — such a pervasive influence in our lives that we fail to notice it until it is gone.

Just as a human needs air, so does a culture need folklore, which acts as an invisible social glue. Not only does any culture tend to disintegrate when deprived of its folkloric traditions, but a drastic shift in folkloric perspective can spawn very real cultural catastrophes.

Between the mid 15th century to the late 17th century, Europe was consumed by witch hysteria. Many thousands of people were tortured and killed, having been suspected by the churches and local authorities of practising witchcraft. Much persecution was financially motivated — many "witches" were killed so that church and state could confiscate their belongings. But it was enabled by perverse interpretations of local folklore.

Folklore, re-invented, became an excuse to kill. Midwives, who had practised herbalism since time immemorial, were suddenly accused of concocting "witch’s brews." Community folk dances suddenly were interpreted as "Black Sabbaths." Any Celtic or Teutonic good-luck symbol (other than one resembling a crucifix) inscribed on a door was surely a mark of the devil.

In October of 1999, Indonesian police arrested 22 people suspected of killing 20 villagers, who were thought by locals to be shamans. This was thought to be the direct result of superstitious paranoia, concerning shamanistic beliefs, that had escalated to a dangerous level among the local Muslim population. The victims were killed out of fear rather than fact.

In sub-Saharan Africa, anthropologists have spent years trying to understand the relatively modern phenomenon of "witch-hunting" that occurs, in seasonal cycles, across countless villages. It seems that villages faced with dissolution of their native cultures build up a kind of paranoid tension that travelling bands of professional witch-hunters capitalize upon. The witch-hunters coax the villagers into looking for "signs" of witches in their village, after which they grab whomever is least popular in the village, execute them brutally, and move on to the next village. Until next season.

I am presenting such horrors in order to illustrate the sort of extreme behaviours sometimes occurring in societies that have broken with their folklore. And while ours seems like a society too stable for such catastrophes, the loss of our folklore is still a threat. This is because the rapid erosion of folklore invites its re-invention; it invites unscrupulous individuals to pervert older beliefs in order to serve their own agendas. How many times has folklore been re-interpreted, even by missionaries in the North, to serve the ends of theocrats? How many times has it been re-invented to serve as a weapon of assimilation?

With this in mind, the coming forth of elders to discuss actual shamanism becomes all the more vital to the health of Inuit culture. While oftentimes distasteful, the presence of angakkuit was indisputably one of the strongest influences upon pre-colonial Inuit culture. It is by comprehending what our ancestors thought and felt that we lend them practical immortality, and thus does the culture have a firm base upon which to stand.

For Inuit can no longer count upon their isolation in the North to define them as a culture, and it is only by living generations acting as custodians of past knowledge — speaking the unspeakable — that Inuit will remain the magnificent people they are.

Pijariiqpunga.

TOP


June 15, 2001

The unspeakable tradition: part one

RACHEL ATTITUQ QITSUALIK

"But their magic arts are degenerating and growing more and more simplified. The Polar Eskimos are well-to-do folk; there are animals enough in the sea and meat in abundance; they are strong, healthy, energetic people, possessing a sufficiency of the necessities of life as demanded by an existence which is, according to their ideas, free from care. This state of things is doubtless the reason why the Angakoq system is not so highly developed there as, for instance, it has been on the East coast, where the struggle for existence seems to be much more severe, and where the failure of the fishery, and as a consequence famine, have been more frequent. The Polar Eskimos do not require to make constant appeals to the supernatural powers, and that is why their magicians have gradually forgotten the magic arts of their fathers."

— Knud Rasmussen (from the Reports of the Fifth Thule Expedition, 1921-24. Copenhagen)

Since the time that Occidental explorers first began poking around the Arctic, and especially into Inuit culture, they have consistently exhibited a fascination with shamanism. Even today, shamanism-related questions are those most commonly asked by southerners. Today, especially, urbanites crave simpler spiritual answers than many organized religions are willing to provide.

They often look to the cosmological systems of tribal peoples, hoping to discover paths toward peaceful unity with their environment, the unconditional societal approval they lack, something exotically stimulating and elitist, or (in rare cases) a "genuine" source of magical power.

In the case of Inuit shamanism, the aforementioned drive is terribly ironic, since shamanism is the one topic that Inuit traditionally will not talk about. The tendency of Inuit to avoid the subject has been a source of frustration to ethnologists from the time of Rasmussen (1920s) onward. While some literature on the practices of angakkuit has been collected, it is far from complete, and in many cases seems contradictory (at least, until one realizes that the beliefs are similar, but vary from area to area).

Most ethnologists, in their notes, admit that the information was very difficult to wring out of people, and many have expressed disappointment that they did not gather more than they could. Still, the reticence of Inuit to come clean on the topic has only served to make it more alluring to southern scholars. Everybody loves a mystery, so the saying goes, and institutions still crank out fresh young anthropologists who each believe that they will be the one to finally "crack" the code of silence around shamanism.

But why are Inuit so quiet about practices that, supposedly, served as the basis for their very cosmology and religion? After all, Christians are not shy to talk about Biblical miracles.

Well, firstly, the modern mistake has been in thinking that shamanism was a religion at all. It wasn’t — it was considered a skill that only certain individuals (having the propensity for it) could learn. Shamanism did not dictate Inuit cosmology, either. The way Inuit viewed their relationship to animals, supernatural beings, anirniit (miscellaneous souls), land (mysterious Nuna), and sky (life-giving Sila) was completely independent from the practices of angakkuit.

Angakkuit have mistakenly been portrayed, over time, as priests. Perhaps, in time, Inuit might have developed a religion (probably based on the worship of Sila), and angakkuit might have taken on a role similar to that of priest. But they did not. Angakkuit, instead, were more akin to tradesmen — those who specialized in the most dangerous, unseen powers of the world.

Because an angakoq dealt with the most dangerous of powers, his (or her) own power was by extension dangerous. No one wanted to become the target of his wrath.

In old Inuktitut thinking, will is the wellspring of action, the means by which all things occur. The combination of intent and expression (ie., vocalization) could warp reality to make it reflect the mind of an individual. That which was concrete, or corporeal, was most difficult to influence, while that which was ethereal (such as a spirit) was more fluid and therefore could be accidentally influenced with an errant thought or word.

For this reason, an Inuk was very careful not to speak of shamanistic practices — and thus of the unseen powers dealt with by shamans — lest his idle chatter attract such forces and bring their possibly malign influence to bear against him.

(Continued next week.)

TOP


June 8, 2001

Down In the Dumps

RACHEL ATTITUQ QITSUALIK

Down in the dumps, there was always nagvaaqtat ("found stuff") to be had. Qallunaat threw out the oddest things: good china, medicine bottles, barely used clothing, barely damaged furniture.

My cousin and I had a blast until nursing station staff discovered we were using old needles as water pistols.

Other dumps were not as well supervised. At the beach, after the supply ship came in, "beach-combing" was a regular summer chore. Whatever got tossed from the ship’s galley washed up on shore. Soggy onions, carrots and celery were recognizable as food; but who knew what the green, heart-shaped things were? I once opened one up with my trusty pocket knife, and found clumps of seeds concentrated in the middle. To me, they resembled maggots, and I wondered if that was how they had gone bad. I still don’t like bell peppers.

Close to where we often camped was the grandmother of all dumps: the DEW Line dump site. Everywhere about the place lay the carcasses of old machines. Partially demolished industrial vehicles leaned into each other in the soft, sandy pit. Empty barrels lay rusting under the ever-present sun, next to leaky vehicle batteries, and drums of what looked like white mould. Sticky tar and oils covered the ground. Something glassy shone evilly, beautifully, emitting a sickly sweet smell.

It was not quite kerosene, not quite gasoline, but something else — something bad for you. Here and there, like crushed pale flowers, were dots of antifreeze. It all rested against the backdrop of innumerable barrels, like brownish-red hills across the horizon.

I remember standing silently, staring at that landscape, as though waiting for a garbage pick-up that never occurred. There was the cry of a gull in the distance, and the sound of the wind as it picked up sand to bury forgotten treasures.

Some of the best items were bits of plywood (wood being scarce) and polypropylene. My father even fashioned an agvik (flensing board) out of a sign, with the red letters "PROPERTY OF ..." still on it. Polystyrene made a fun toy. You could make boats out of it that would actually float.

One year, we were gifted with big yellow sheets of x-ray paper, which got turned into planes, hats, and patterns for sewing (although pilot biscuit boxes provided the best material). I made my own colouring book, and cut-outs of people and dogs. Such figures stood out in jarring red and, somehow, when a black crayon was applied to the yellow-orange paper, the dogs took on a sickly, grey appearance.

One time, we found a new can of sardines — a real treat, since we had run out of store supplies, and were getting bored of eating meat. I remember thinking that it was unfair how we had to save the sardines for my youngest brother, only a baby.

Now, I shudder at the thought of all the contaminants we had inadvertently exposed ourselves to. One of my friends, who works in the field of contaminants, once informed me about the leftover PCB’s still saturating the soil and sands at the DEW line dumps. Who knows what health risks we took when living, for any time, next to such hazardous materials?

I was reminded of those dumps again recently, when I caught part of a television show concerning poverty in Nicaragua. It was about whole families who live within, subsisting wholly upon, incredibly vast dump sites. There was a little girl who had found a chick hatched from among some discarded eggs. She had cleaned it off with an old handkerchief, keeping the castaway as her pet. The two sickly little things, girl and bird, looked so much alike that the image haunted me for days.

It has always been a popular political view to see the Arctic as a great wasteland, a "safe" dumping ground for the most virulent of pollutants, a "practical" place for nuclear tests. But we are already beginning to see that Arctic ecosystems — and remember, human communities are certainly a part of the ecosystem — are affected even by airborne waste from as far away as Argentina. My mind hesitates even to contemplate overlong upon such horror.

We no longer have to go to the dump; the dump has come to us. Waste is inevitable, but are we destined to live with, or within, our dump sites?

Pijariiqpunga.

TOP


June 1, 2001

The imaginary Inuit: part three

RACHEL ATTITUQ QITSUALIK

(Continued from last week.)

For many southern media types with dreams of making it big, Inuit culture is manna from heaven. Perhaps it was always so, since people have been making bad films misrepresenting Inuit for a long time now (Anthony Quinn screaming and packing his face with bloody meat comes to mind), but the international attention drawn by the institution of Nunavut has especially meant that the Southern world craves facts about Inuit of late.

Why?

First, there is plain old curiosity; with all the talk about Nunavut, people are bound to wonder what it’s all about. But there other factors.

There is the folklore and mythology, for example. I get a lot of e-letters from European folks who, after reading my discussions of Inuit stories and cosmology, encourage me to write as much as possible about such things. One German writer explained to me that European peoples are fascinated by their own pre-Christian roots, feeling that when they read about those who still remember their traditions (ie., Inuit), it gives them a glimpse into what their own ways might once have been like.

Then there is what I call the "Anne of Green Gables" outlook — those who look to Inuit in hopes of seeing an ideal culture based upon the noblest traits of humanity. Once, when I was interviewed over the phone, the interviewer expressed that she was disappointed at my assertion that space exploration held no spiritual significance for Inuit. This led us to talk about social problems in Inuit communities, whereupon she sighed and told me she had simply been hoping that there was a, "better, happier existence out there somewhere."

Inuit are the world’s cultural media darlings right now. Many consider Inuit to be an enigmatic and largely unspoiled culture — and they will pay big bucks to anyone who will offer them a privileged viewing of Inuit traditions.

This has, dangerously, invited a number of southerners to ride the gravy train, furthering their own careers by producing any number of media products that supply the need for Inuit culture. Such individuals, however, are simply hoping to cash in on what they perceive to be a trend.

Therefore, they must produce quickly. And in the rush to produce, who has time for actual research? Who cares if you produce a film with an Inuk speaking an Eastern dialect while wearing Western clothes? Who cares if the character in your children’s book refers to the "sacred directions" or his "eagle totem," as only a First Nations person might?

I care. Too often do such productions count upon the supposition that there will be no one to police them. The thinking is that you might as well make up whatever you want about Inuit, because no one in the South knows anything about Inuit anyway.

But misrepresentation is misrepresentation — no matter how you cut it. While the old style of misrepresenting Inuit involved portraying them as childish and stupid, with barbaric traditions, this new style is shielded by the very rejection of the old. The thinking is that, as long as Inuit are portrayed in a positive light, it is perfectly fine to confabulate nonsense about their traditions. It is like someone telling you, "Quit complaining just because we said you eat whale fat. At least we said Inuit were smart. Didn’t you like that?"

It is the Inuit "ennoblement" business. You can say what you want about Inuit — even if it’s untrue — as long as you say it nicely. And so this business has spawned stories and "facts" on a culture that never was, a culture of Inuit that are all equally enlightened, wise, spiritual, peaceful, live an easy life, and are generally perfect.

But they are the imaginary Inuit, Inuit that just represent a dollar value, and are no more real than the waving Eskimo on an old soda-pop banner. Personally, I prefer the real thing: the human beings who love and hate and suffer and persevere, giving it their all to try to make a better life for themselves — just like people everywhere.

But I’m not as worried anymore. The southern media carpetbaggers are only right about one thing: they had best hurry. The brilliant success of Atanarjuat has proven that Inuit are more than capable of showing themselves to the world. And don’t audiences usually prefer the real thing?

Pijariiqpunga.

TOP

 



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